Traditional intonation means tuning systems which are informed by culture and emerged over time due to technical, material and social reality. For example 12-equal, maqamat, ragas, slendro etc. Notice how I put (for example) 12 and maqam in the same pot, despite one being considered microtonal and the other not. But indeed these systems are […]
The post Another perspective on microtonality: traditional vs non-traditional intonation appeared first on Sevish.
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